Sociolingo’s Mali

News, images and comments from Mali, West Africa

Mali: 10th International Conference on the Study and Conservation of Earthen Architecture

I’ve been trying to find information and reports from Terra 2008 which was held in Mali from 1-5 February 2008. So far all I found was an ended discussion forum on BBC NEWS about ‘Should Africa do away with mud buildings‘ which I thought was a very negative question - as did most of the respondents. It was also a strange question to ask on the week that 300 delegates were meeting to discuss the preservation of earthen architecture.

I did find one delegate report at Aluka Blog . By the way you may be interested to explore that blog as there are some really interesting links on Mali, and Djenne in particular.

Here is the information from the Getty Foundation who are funding the conference:

10th International Conference on the Study and Conservation of Earthen Architecture

Bamako, Mali
February 2008

conservation image

The 10th International Conference on the Study and Conservation of Earthen Architecture will be held in February 2008 in Bamako, Mali, West Africa. The conference is organized by the Getty Conservation Institute and the Ministry of Culture of Mali with the collaboration of Africa 2009, CRATerre-ENSAG, ICOMOS South Africa, and the World Heritage Centre, under the aegis of ICOMOS and its International Scientific Committee on the Earthen Architectural Heritage. Three hundred international specialists in the fields of earthen architecture, conservation, archaeology, scientific research and site management are expected to attend.

conservation image

This is the tenth conference to be organized by the earthen architecture community under the aegis of ICOMOS since 1972, and the first to be held in Africa. It provides a unique opportunity to discuss and observe firsthand conservation issues particular to sub-Saharan Africa, a region rich in earthen architecture. During this conference, specialists will present papers and posters that reflect the latest research and practices in the study and conservation of earthen architecture worldwide.

The languages in official use during the conference will be French and English. A four-day postconference tour to Tombouctou, Mopti, Bandiagara and Djenné will be organized for a maximum of one hundred participants. Funding opportunities for participants from developing countries to attend the conference will be available.

February 11, 2008 Posted by sociolingo | ACADEMIC, ARCHAEOLOGY, CULTURE, Jenné-jeno, MALI, Mali archaeology, Mali architecture, Mali conferences, Mali cultural heritage, Village houses, buildings, mosques | | 1 Comment

Ancient Blood Found On Sculptures From Kingdom Of Mali

Source: Science Daily

Ancient Blood Found On Sculptures From Kingdom Of Mali
ScienceDaily (Dec. 8, 2007) — Scientists in France are reporting for the first time that sculptors from the fantastically wealthy ancient Empire of Mali — once the source of almost half the world’s gold — used blood to form the beautiful patina, or coating, on their works of art. Pascale Richardin and colleagues describe development of a new, noninvasive test that accurately identifies traces of blood apparently left on ancient African artifacts used in ceremonies involving animal sacrifices.

Read the rest of the article 

February 3, 2008 Posted by sociolingo | ARCHAEOLOGY, MALI, Mali archaeology | | 1 Comment

Mali: Heritage laws

Source: African Archaeology Net

Mali [with the help of Dr.Daouda Keita] :
> Loi n°62-75/ AN-RM du 17 septembre 1962 portant création de l’Institut des Sciences Humaines
> Ordonnance n° 46/ CMLN du 31 août 1973 portant approbation concernant la protection du patrimoine mondial, culturel et naturel
> Ordonnance n° 76-10/ CMLN du 29 janvier 1976 portant création de la Direction Nationale des Arts et de la Culture
> Décret n°317/PG-RM du 1er novembre 1978 portant réorganisation de l’Institut des Sciences Humaines
> Loi n° 83-53/ AN-RM du 17 mars 1984 portant création du Musée National du Mali
> Loi n°85-40/ AN-RM du 26 juillet 1985 relative à la protection et à la promotion du patrimoine culturel
> Décret n°203/PG-RM du 13 août 1985 instituant une Commission nationale de sauvegarde du patrimoine culturel
> Décret n°275/PG-RM du 04 novembre 1985 portant réglementation des fouilles archéologiques
> Loi n° 86-61/PG-RM du 26 juillet 1986 relative à la profession de négociant en biens culturels
> Décret n° 299/PG-RM du 19 septembre 1986 relatif à la réglementation de la prospection, de la commercialisation et de l’exportation des biens culturels
> Loi n°88-29/ AN-RM du 21 mars 1988 portant création de l’Institut des Sciences Humaines
> Ordonnance n° 90-43 / P-RM portant création du Musée National du Mali, 6 juin 1990
> Décret n° 90-332/PRM portant organisation et modalités de fonctionnement du musée national, 25 juillet 1990
> Décret n° 93-203/P-RM du 11 juin 1993 portant création des Missions Culturelles de Bandiagara, Djenné, Tombouctou
> Décret n°96-133/P-RM portant protection de l’environnement à l’occasion de la réalisation des grands travaux
> Décret n°99-189/ P-RM du 05 juillet 1999 portant institution de la procédure d’étude d’impact sur l’environnement
> Ordonnance n° 01-027/ P-RM du 02 août 2001 portant création de la Direction Nationale du Patrimoine Culturel
> Ordonnance n° 01-029/ P-RM du 03 août 2001 portant création du Musée National du Mali
> Ordonnance n° 01-032/ P-RM du 03 août 2001 portant création des Missions Culturelles de Bandiagara, de Djenné et de Tombouctou
> Ordonnance n° 02-057/P-RM du 05 juin 2002 portant création de l’Institut des Sciences Humaines
> Décret n°594/P-RM du 31 décembre 2003 relatif à l’étude d’impact sur l’environnement

December 28, 2007 Posted by sociolingo | ARCHAEOLOGY, CULTURE, Mali archaeology, Mali cultural heritage, Mali culture | | No Comments

Mali geology: Fossil research

Source: Stony Brook Vertebrate Fossil Preparation Laboratory


(click on map to view area of detail larger)

The Late Cretaceous and Early Tertiary faunas of the Taoudenit and Iullemeden Basins, Republic of Mali

STONY BROOK PROJECT LEADER: Dr. Maureen O’Leary

The Cretaceous-Tertiary boundary (65 million years ago) represents one of the five largest mass extinction events in Earth history. This extinction event marks a transition point when dinosaurs (other than birds) became extinct and modern orders of mammals first appeared. Identifying geological sections from various continents to which vertebrate fossils can be tied is very important for understanding which species of vertebrates went extinct and which survived this extinction event. Mali is one of several countries in the modern Sahara desert that has exposures of rock formations left by shallow seaways that existed before and which survived. Current research focuses on understanding vertebrate evolution across the Cretaceous-Tertiary boundary in southern West Africa. Finding the remains of species that lived within and along this ancient seaway, including the extinct relatives of modern-day mammals, is of continued interest for Dr. O’Leary and her team.

Explorations of rocks from the Taoudenit and Iullemeden Basins in Mali began in 1999, and have resulted in the discovery of dinosaurs, fossil forests, invertebrates, fishes, turtles, and crocodiles. Dr. O’Leary and other researchers from the Unites States work in collaboration with the Centre Nationale de la Recherche Scientifique et Technologique in the Republic of Mali.

Field work has been funded by the Saurus Institute, the Cranbrook Institute of Science, the L. S. B. Leakey Foundation, and the National Geographic Society.

December 28, 2007 Posted by sociolingo | Mali archaeology, Mali geology, Mali palaeontology | | 3 Comments

U.S. Protection of Archaeological Material from Mali

I’ve written before about the looting of archaeological artefacts from Mali. I have just noticed that the agreement with the US which forbids the import into the USA of Mali artifacts has been extended for another five years and now covers archaeological material from throughout Mali dating from the Paleolithic Era (Stone Age) to approximately the mid-eighteenth century.. I feel strongly that this information should be added to all tourist information on Mali and should be wider known.

Source: http://exchanges.state.gov/culprop/mlfact.html 

On September 23, 1993, the U.S. took emergency action to impose import restrictions on archaeological material from the Niger River Valley region and the Tellem burial caves of Bandiagara of Mali.

On September 19, 1997, the Government of the United States and the Government of the Republic of Mali signed an agreement that continued without interruption the import restriction placed on the same archaeological material. On September 19, 2002, the Government of the United States and the Government of the Republic of Mali extended the agreement for five years.

Effective September 19, 2007, the two countries extended the agreement for an additional five years and amended it to apply U.S. import restrictions on archaeological material from throughout Mali dating from the Paleolithic Era (Stone Age) to approximately the mid-eighteenth century.

II. Background

These U.S. actions are in response to requests from the Government of Mali under Article 9 of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.

Sites throughout Mali represent a continuum of civilizations from the Paleolithic Era (Stone Age) period to the 18th century, lending archaeological significance to the region. The archaeological sites along the length of the Niger River Valley constitute virtually the only known source of information pertaining to the great civilizations that existed there. It is estimated that eighty to ninety percent of the sites surrounding the ancient city of Djenne-jeno, one of the most significant archaeological complexes in the region, have been plundered to meet the demands of the international market. Similarly, Stone Age sites in the Saraha that are crucial to understanding the history of early humans are being picked apart in the search for stone tools. All of this looting of archaeological sites severely limits the ability of Mali to fully understand the pre-modern civilizations of within its borders.

These U.S. actions are intended to reduce the incentive for pillage of Malian artifacts and offer the opportunity for Mali to further pursue the regulatory, institutional, and educational measures it has already initiated. Measures include the implementation of procedures for the inventory and classification of cultural property, an improved export review system, and the creation of cultural missions to educate local populations to better safeguard sites against pillage, thereby maximizing opportunities for scientific excavation. Mali is the first and only African country to request and receive this form of U.S. protection. 

III. Categories of Artifacts Subject to Import Restriction

A complete list is published in the Federal Register notice of September 19, 2007. An illustrated list is available in the Mali Image Collection. Restricted archaeological items dating from the Paleolithic era to the mid-18th century A.D. include: terracotta statues and common vessels; figurines and jewelry of copper and copper alloy, figurines of iron figures; stone tools and grave markers; and glass beads. Leather, textiles, iron objects, wood objects, and ceramic vessels from the Tellem burial caves are also restricted.

IV. Import Regulations

Objects from the Niger River Valley and the Tellem burial caves of Bandiagara listed in the 1993 Federal Register notice may enter the U.S. if they have an export permit issued by Mali or verifiable documentation that they left Mali prior to the effective date of the restriction: September 23, 1993.

Note that, beginning September 19, 2007, objects from sites throughout the country including the Tilemsi Valley, the Boucle du Baoule, the Bura Band, Tondidarou, Teghaza, Gao, Menaka, Karkarichinkat, Iforas Massif (Adrar des Iforas), Es-Souk, and Kidal may enter the U.S. if they have an export permit issued by Mali or verifiable documentation that they left Mali prior to the effective date of the restriction: September 23, 1993 for objects from the Niger River Valley and the Tellem burial caves of Bandiagara listed in the 1993 Federal Register and September 19, 2007 for objects from throughout Mali, and including sites of the Paleolithic Era (Stone Age).

V. For More Information

United States
International Cultural Property Protection
Mali
Direction Nationale des Arts et de la Culture
Ministére de la Culture et du Tourisme
Quartier du Fleuve
B.P. 116
Bamako, Mali
Tel: (223) 22-33-82

December 18, 2007 Posted by sociolingo | ARCHAEOLOGY, CULTURE, MALI, Mali archaeology | | No Comments

Mali archaeology: Secrets of the Sahara - ancient manuscripts

The following article was seen on the Ford Foundation’s website

http://www.fordfound.org/publications/ff_report/view_ff_report_detail.cfm?report_index=432

Secrets of the Sahara

Dozens of families in Timbuktu are working to preserve a trove of ancient manuscripts that may redefine the history of Islam and Africa.
by Christopher Reardon

Summer 2003

Xavier Rossi/Gamma
Abdoul Kader Haïdara, one of Timbuktu’s leading manuscript experts, opened the city’s first private archive in 1998. It contains scientific treatises, Islamic sermons, legal documents, medical commentaries and poetry.

Timbuktu, Mali—As dusk sweeps across the Sahara Desert, the Es Sayouti brothers—six learned men ranging from 40 to 55 years old—gather in their parents’ home to reflect on the vexing legacy they share. Abdrahamane speaks first, as he is the eldest and the imam at the nearby Djingarey Ber Mosque, a place of prayer and scholarship since 1325. He explains that their father, who is in failing health and resting downstairs, has recently given them responsibility for 2,500 ancient texts gathering dust in the next room.

“Our forefathers have left these manuscripts to future generations, and we must do the same,” says Abdrahamane. “The problems we face are how to keep them in good condition and how to make them available to scholars.”

The magnitude of these challenges becomes clear when he opens the doors to a large wooden cabinet, its shelves piled high with brittle manuscripts dating back to the 14th century. Some have been damaged by fire and termites, others by flooding and high humidity during the rainy season. One of the brothers opens an illuminated copy of the Koran from the 1600’s. Abdrahamane leafs through a treatise on optics and astronomy, with diagrams depicting the motions of the planets in black and red ink. It dates from the 1300’s, long before Galileo, Kepler or even Copernicus made their marks in Europe.

Xavier Rossi/Gamma
A family library in Bouj Beha, 150 miles north of Timbuktu, holds manuscripts, dating back several centuries that are endangered by poor storage conditions.

The Es Sayouti brothers are not alone. In recent years, 300 private collections have come to light in Mali, the bulk of them in Timbuktu, a city of 60,000 people on the southern edge of the Sahara Desert. Together these collections hold as many as one million manuscripts, ranging from one to 500 pages each. Most are written in Arabic, although some use Arabic script to transliterate local tongues that had no written counterpart.

Researchers who have taken a preliminary look at some of these texts say they shed light on important facets of social history and religious thought and practice before the colonial era began in the 19th century. Upon closer inspection, they may compel scholars to rewrite the history of Islam and of Africa and to abolish once and for all the persistent Western stereotype of black Africans as primitive and lacking in intellectual traditions.

“These manuscripts have been here all along,” says Stephanie Diakité, an American scholar who advises the Malian government. “What’s revolutionary is that they are finally being recognized as manifestations of everyday culture within a highly literate society. They did not come like a bolt out of the blue. They are vestiges of people living their lives and writing things down, as all civilized cultures do.”

Many of the ancient texts date back to the Songhaï empire, a prosperous kingdom that peaked in the 15th and 16th centuries. Today, Timbuktu relies on arts and crafts for the tourist industry and on nomadic herding to subsist. But five or six centuries ago, it was a major crossroads for caravans of gold and salt traversing the Sahara. The book trade also flourished, and the city’s Sankoré Mosque became a center of learning, attracting thousands of students each year. Even today, a small number of people live off the traditions of scholarship, writing or interpreting texts.

The larger books—hundreds of unbound pages wrapped in leather covers—often include a colophon, a statement about their authorship and production. Some identify the author, the person who commissioned a new copy, the calligrapher who copied the text, the person who verified that it was accurate and the artisans who gilded the illustrations and prepared the leather binding. Diakité, a master bookbinder who holds a doctorate in law, another in international development and an M.B.A., says these colophons likely served as legal contracts, with names, dates and fees.

“The manuscripts talk about everything,” says Abdoul Kader Haïdara, 38, who opened the city’s first private archive, the Mamma Haïdara Memorial Library, in 1998. “There are copies of the Koran and hadiths [sayings of the prophet Muhammad] as well as sermons and explanations of Islamic law. There are treatises on astronomy, mathematics, medicine and geography. There are poems and folk tales.”

He adds: “We have found contracts on slavery; commercial records that document the gold and salt trades; letters and decrees showing how Muslim jurists resolved conflicts between families and states. Some of the manuscripts talk about women’s rights and children’s rights. Others are family histories and chronicles of political and economic life as far back as the 11th century.”

Abdoul Kader is one of Timbuktu’s leading manuscript experts, and the son of a renowned local collector, Mamma Haïdara. While growing up, he spent long hours at his father’s side, reading the family’s manuscripts and learning how to care for them. When Abdoul Kader was just 17, his father died, leaving the venerable collection in his young hands.

Xavier Rossi/Gamma
Abdrahamane Es Sayouti on the roof of the Djingarey Ber Mosque, where he is the imam. He is one of six brothers charged with protecting the family’s legacy of precious manuscripts.

Aided by a generally arid climate, people in Timbuktu have managed this task for centuries. But time is working against them. The Sahara has been inching south and sand is filling the city streets, which contributes to flooding in the brief rainy season. Acidic paper and ferrous inks introduced in the 19th century are slowly burning through adjacent manuscripts; metal trunks of similar vintage contract and sweat depending on the weather, causing books to buckle and rot. And termites seem to be everywhere. Consequently, many owners in Mali, a landlocked country that ranks among the poorest in the world, see their stewardship of these texts as both a sacred honor and a costly burden.

“These manuscripts are very expensive for the family,” says one of the Es Sayouti brothers, an engineer named Alpha Sane. “But we fear the judgment of our sons and grandsons if we let them disappear.”

An Emerging Network
The first concerted effort to save Mali’s ancient manuscripts got under way in 1970, when UNESCO helped establish the Ahmed Baba Center for Documentation and Research in Timbuktu. Named after one of the city’s leading 16th-century scholars, the center was envisioned as a place where these texts could be restored, catalogued and made accessible to researchers. It got off to a promising start, led by its founding director, Mahmoud Zouber, who spoke six languages and wrote his dissertation on Baba while at the Sorbonne. (It was published in France in 1977.)

Christopher Reardon
Three scholars on the site of a new library to house the Kati collection of manuscripts once scattered among several branches of the family.

The center borrowed its initial holdings from private collectors, but its long-term plan was to buy manuscripts from families that could no longer care for them. Although it acquired a few thousand manuscripts, many owners refused to part with texts their families had held for generations—even if it meant watching them slowly turn to dust. Zouber sought to win over such heirs by enlisting Abdoul Kader Haïdara as a prospector. As the son of a well-liked collector, Haïdara stood a better chance of getting his foot in the door, but closing a deal ultimately rested on his own expertise and charisma.

Once, for example, Haïdara visited a family in Rharrous, 100 miles down river from Timbuktu. The father, a local marabou, or shaman, had recently died, leaving a wife, several young children, and a small case filled with manuscripts. “At first the marabou’s wife refused to sell,” Haïdara recalls. “She said that the texts belonged to her children, and that we would have to wait for them to grow up before touching their inheritance. I showed her that termites had already destroyed some of the manuscripts, and soon they would take the rest. By the time the children reached adulthood, their father’s legacy would be nothing but a pile of dust.”

Then Haïdara revised his offer. Instead of paying cash, he would trade two young cows for the manuscripts. That way, he said, the children would have an asset that gained value over time, unlike the decaying manuscripts. This time the widow accepted. “Two years later I went back to Rharrous, and they were thrilled to see me,” Haïdara says. “The two cows had bred and become four. The family told their relatives, and suddenly everyone there was ready to sell to me.”

Between 1984 and 1996, Haïdara acquired 12,000 manuscripts for the center. Gradually, though, he came to wonder if consolidating Mali’s ancient texts was the best way to save them. As a collector who had inherited thousands of manuscripts from his parents—and bought hundreds more on his own—he understood the widespread reluctance to part with a cherished family legacy.

With help from Henry Louis Gates, Jr., who heads the Afro-American Studies program at Harvard, Haïdara raised money for a library to house his collection. The Al-Furqan Islamic Heritage Foundation in London funded his efforts to catalog the collection. Al-Furqan will publish the final volume of the catalog later this year.

In recent years, Haïdara and other local collectors have been working on a new approach to preserving the ancient manuscripts. Together, they are trying to develop a network of private libraries that would enable owners to share resources and speak collectively, yet allow families to retain possession of their manuscripts. As a first step, they started the Association for the Safekeeping of Ancient Manuscripts, which now represents 23 private collections in Timbuktu.

“My dream is that in 20 years’ time, all these manuscripts will be restored and digitized and begun to be published,” says Haïdara. “Because after that, scholars can read them and analyze their significance in human history.”

The association educates owners about the importance of the manuscripts they have inherited and shows them how to store texts properly. Ultimately, it hopes to mount expositions in Timbuktu and abroad so the manuscripts can reach a wider audience. The association faced an important test earlier this year, after a pair of entrepreneurs from abroad persuaded several owners to sign away the rights to restore or exhibit their manuscripts. The contract was written in English, which none of the owners could read or speak. The association stepped in and drafted a declaration renouncing it.

The emerging network of private libraries still leaves a pivotal role for the Ahmed Baba Center, which was renamed the Ahmed Baba Institute for Advanced Study and Islamic Research three years ago. The association encourages owners of small collections to sell or lend their manuscripts to the institute for safekeeping. Meanwhile, owners of larger collections can turn to the institute for conservation or cataloguing services.

The institute, which is funded by Mali’s Ministry of Higher Education but acts with relative autonomy, is still adjusting to this new role. “We think there are advantages to keeping the manuscripts in one place,” says Mohamed Gallah Dicko, who succeeded Zouber as director in 1996. “Among other things, it’s easier for researchers to access them. But we fully welcome the arrival of these private libraries. We are ready to help them.”

Two years ago the institute held a 12-week workshop to train seven local artisans in the art of book conservation. Stephanie Diakité, who led the workshop, says many of the artisans were descendants of the gilders and binders who worked on manuscripts generations ago. One trainee went home and looked through his tool chest, but couldn’t identify some of the tools, which he inherited from his ancestors. Diakité recognized them as stamping tools for bookbinding, and showed the trainee how to use them.

“These are generational artisans, but in many cases the skills have been lost,” she says. “It’s fascinating to see them make those connections again.”

The Spanish Connection
One of the most unusual collections in Timbuktu is held by Ismaël Diadié Haïdara, a local scholar who spends half his time lecturing at the University of Granada in Spain. He and Abdoul Kader Haïdara share a last name, but they are not related, as they explained one evening over dinner in Abdoul Kader’s home.

“He is a Sharifa,” says Ismaël, naming a scholarly clan from Bamba, 130 miles down river.

“And he is a Quti, a Goth,” replies Abdoul Kader, referring to the Christians who drove the Muslims out of the Iberian peninsula in 1492.

He is making a joke, but it plays on a kernel of truth. Although Ismaël is a devout Muslim with darker skin than Abdoul Kader, some of his ancestors came from Toledo when it was the seat of Christian power in northern Spain. On May 22, 1468, as religious intolerance mounted, Ali b. Ziyad al-Quti set out to make a new life in what he called “the land of the blacks.” He passed through the Muslim kingdom of Granada to Gibraltar and from there to Africa. Then, traveling by caravan, he continued through present-day Morocco, Algeria and Mauritania. Unlike many Muslims, he did not identify ethnically with Arabs or Berbers. Instead, he called himself al-Quti, the Goth.

In 1471 Ali settled in Goumbou (now a city in Mali), where he married the sister of Askia Mohamed, a black Muslim warrior who went on to rule the Songhaï empire for 37 years. Their son, Mahmud Kati, became Askia’s finance minister, directed the empire’s first census, served as a qadi, or judge, and stood second in line to the throne. As a man of letters, Kati not only collected books but also wrote an important history of the empire, the sprawling Tarikh Al-Fettach, known in English as the “Chronicle of the Seeker of Knowledge.” (Historians are still debating whether he or his descendants finished the book, which was translated into French in 1913 from a copy loaned by the Es Sayouti family.)

When Kati died, he left dozens of letters and books to his son Ismaël, who added to the collection and then passed it on to his offspring. So it went for generations, until Kati’s collection was divided among different branches of the family in the 19th century.

In August 1999, Ismaël Haïdara began to reassemble the Kati collection. He met with cousins in Thié and Kirchamba, hauling back trunks of manuscripts to his home in Timbuktu. A few weeks later he showed some of them to John Hunwick, a British historian who was a Western pioneer of the study of Islamic thought in precolonial Africa. Hunwick was awed by what he saw: a trove of manuscripts dating back to the 14th century. Most were written in Arabic; others used Arabic script to record ideas expressed in Fulani and other spoken languages. The papers included academic treatises, sermons, legal documents and poetry by women.

Wolfgang Kaehler/Corbis
A street scene in Timbuktu, Mali, where scholars are using modern technology to preserve ancient manuscripts and make them accessible.

Most significantly, the core of the collection can be traced to Mahmud Kati, providing a palpable sense of how black Muslim scholars in Timbuktu wrestled with ideas and passed on knowledge in the 15th and 16th centuries. Previously, most scholarship in the field has focused on individual texts, not on the body of work that a single scholar would have studied.

“Library studies are a fairly recent field of intellectual history, and one that has not been much explored in Islamic studies where research has concentrated on individual authors and their works,” says Albrecht Hofheinz, a German scholar who conducted a preliminary survey of the Kati collection a few years ago. “The study of libraries as collections, on the other hand, helps us to gain insights into the composition of learning, the spread and ‘popularity’ of certain texts, which allows us better to understand the intellectual formation of educated people at the time. This makes the Kati library a unique treasure for the intellectual history of the Middle Niger region.”

The manuscripts are also noteworthy, Hofheinz and Hunwick say, because Kati and others jotted extensive notes in the margins. Some comment directly on the text. But because paper was scarce, many are entirely unrelated observations about weddings, funerals and abundant rains. One, signed by Kati, appears to describe a meteor shower:

“In the year 991 in God’s month of Rajab the Goodly [August 1583] after half the night had passed, stars flew around the sky as if fire had been kindled in the whole sky—east, west, north and south. It became a mighty flame lighting up the earth, and people were extremely disturbed about that. It continued until after dawn.”

Construction is now under way for a library to house the Kati collection, which encompasses more than 7,000 manuscripts. The Spanish government is funding the building, which wraps around a central courtyard in the Andalusian style.

“I come from a family of writers,” says Ismaël, who published a family history in Spain a few years ago. “We have been writing for 15 generations, so writing comes easily to me. The harder challenge I face is how to catalog, restore and digitize the manuscripts my ancestors have left behind.”

A Closer Reading
During the colonial era, European scholars routinely took cultural artifacts out of Africa, ostensibly to forestall the ravages of time, weather, political instability and social upheaval. Africans no longer buy that argument, which was often a thinly veiled excuse for usurping their cultural inheritance. Yet collectors in Timbuktu recognize both the difficulty of preserving their manuscripts and the importance of making them accessible to researchers around the globe.

“These manuscripts talk about a vital period in our region’s history,” says one of the Es Sayouti brothers, an engineer named Alpha Sané. “But they are not just of local interest. They hold significance for all humanity.”

The city’s leading collectors are embracing modern technology as a tool for preservation and scholarship. The Ahmed Baba Institute, for instance, has trained eight local residents to scan and catalog ancient texts. Page by page, they are generating digital images of important manuscripts. Moreover, they are compiling a searchable database that identifies up to 33 features of each text—including the author, the date it was copied, and a summary of the text. It is painstaking work. So far, they have catalogued 1,000 of the institute’s 20,000 manuscripts. The Mamma Haïdara Memorial Library and the Kati Collection are also starting to digitize their manuscripts.

But computers are no more a panacea than the sturdy metal boxes introduced in the 19th century. Conservationists worry that the scanning process, which entails handling the manuscripts and exposing them to bright light, may hasten their deterioration. Owners have raised concerns about ethical and copyright issues, noting that digital images can be easily copied and exploited. Even computer experts admit that, given the uncertain life of compact disks and other media, as well as the rapid obsolescence of particular file formats, these digital images may not withstand the test of time. Yet the consensus is that the benefits of scanning outweigh these misgivings.

In the coming years, the Ministry of Education hopes students in Mali will begin to explore the history contained in the ancient manuscripts, starting at the university level and then in primary and secondary schools. “There are so many priorities in Africa,” says Diakité, who advises the ministry. “It’s very difficult to take a long-term view. But reintroducing indigenous culture into the educational system can instill dignity and purpose. It’s a powerful tool for development.”

Meanwhile, scholars abroad are working to develop a network of young African researchers who can read, edit and translate the manuscripts in Timbuktu—and others like them in Mauritania, Nigeria and Zanzibar. The nucleus of these efforts is Chicago’s Northwestern University, where Hunwick, the British historian, founded the Institute for the Study of Islamic Thought in Africa in 2000.

The institute aims to bridge the gap between scholarship on Islam and scholarship on Africa. Scholars of Islam tend to ignore its development in Africa, Hunwick explains, despite the vast number of Muslims there. Likewise, many Africanists consider Islam marginal to their field. And scholars of religion largely overlook both the study of Islam in Africa and the study of religion in Africa in general. Through publications, symposia and fellowships for African researchers, the institute seeks to show that these fields are more closely intertwined than most scholars recognize.

“We hope, too, to enlighten the general public as to the role that Islam has played in African societies,” Hunwick says, “and to the fact that much of Africa has long enjoyed literacy and an intellectual life—matters that may help to erase some of the unfortunate stereotypes about Africa… [Then] Timbuktu will cease to be seen just as a legendary fantasy, and will be recognized for what it really was—a spiritual and intellectual jewel inspired by the Islamic faith.”

Indeed, the world these manuscripts reveal is one in which a tremendous volume of goods and ideas flowed across the Sahara in all directions—linking Europe, Africa and Arabia. If not for the families who have preserved these texts all these years, this vibrant past might have been lost forever.

“When we speak, the words disappear,” says Alpha Sané Ben Es Sayouti, who dreams of opening a private library to house his father’s collection. “But what is written should remain for all time.”

African Islamic Civilization Revealed
The Ford Foundation supports the preservation and study of Timbuktu’s ancient manuscripts in several ways. A grant from the foundation’s office in Lagos, Nigeria, has made it possible for Stephanie Diakité to train 16 local residents to conserve, catalogue and digitize manuscripts at the Ahmed Baba Institute for Advanced Study and Islamic Research. Meanwhile, a grant from the Religion, Society, and Culture program in New York helped establish the Institute for the Study of Islamic Thought in Africa. Based at Northwestern University, it seeks to foster a network of scholars from African and other universities who have the linguistic and other knowledge necessary to analyze the African Islamic civilization these documents reveal, with an eye to learning more about how Islam developed in Africa.

Coming to America: Scholars of Peace
In these turbulent times, it’s tempting to reduce the economic, political and religious tensions felt in many parts of the world to a straightforward “clash of civilizations.” This notion that Islam is inherently incompatible with Western culture may sound credible at first, but it trivializes the complexities of both Islam and the West. A landmark exhibition this summer in Washington, D.C., may help to set the record straight.In June the Mamma Haïdara Memorial Library in Timbuktu, Mali, will send 23 ancient manuscripts to the Library of Congress for a rare and timely exhibit. Three of the manuscripts concern conflict resolution, while the others include religious teachings, medieval sciences, literature, historical records and mystical treatises. The show, which runs from June 24 to Sept. 3, marks the first time these texts have left Africa. It coincides with the 2003 Smithsonian Folklife Festival, where Mali will share the spotlight with Scotland and Appalachia. (The festival runs from June 25 through July 6 on the National Mall.)

“There’s a lot of material in this collection on conflict resolution, good governance and tolerance within the law and social structures,” says Abdoul Kader Haïdara, who directs the Mamma Haïdara Memorial Library. “By bringing these manuscripts to the United States, we hope to show that these ideas and practices have a valued place in Islamic tradition.”

A few years ago Haïdara joined forces with three other manuscript experts in Mali—Stephanie Diakité, Mamadou Diallo and Mahmoud Zouber—to promote scholarship on this overlooked history. After forming a research group, they wrote a paper together about some of the “scholars of peace” who drew on Islamic theology to resolve conflicts between individuals, families, communities and governments in West Africa. The paper, citing numerous manuscripts in Timbuktu, describes some of the techniques that scholars and civic leaders have used in the past to promote a culture of peace. “In the current context of global conflict,” the authors write, “we would do well to learn from their interactions.”

One of the manuscripts that Haïdara is bringing to Washington is a letter from Sheikh Sidi Ahmad Al Bekây Al Kuntî, a renowned scholar who died in Timbuktu in 1865. It is addressed to Ahmad Lobbo, a chief in Macina, 250 miles up the Niger River. The letter concerns Heinrich Barth, who led a British expedition that reached Timbuktu in September 1853. When Lobbo learned that Barth was staying in Al Bekây’s home, he urged the sheikh to kill him because it was not normal for a white man to live among Muslims. Al Bekây replied with a poem.

In the poem, Al Bêkay “says the white man is his guest, and that he is ready to protect him at any price,” Haïdara says. “He notes that Barth came in peace, and that the British people stopped making war with Muslims long ago. He also observes that Barth found safe passage through Egypt, Libya and Morocco—all Muslim countries. Why, he asks, should Timbuktu treat him any differently?”

The 23 texts in the exhibit offer a glimpse of Haïdara’s extensive collection, which includes roughly 5,000 ancient manuscripts. Among the many that are not making the journey is a memoir by al-Haj Umar Tal, an important thinker and chief in Macina. Tal recounts how, during his pilgrimage to Mecca in 1820, he passed through Katsina and Bornu (now in northern Nigeria), where rival leaders were locked in a bitter conflict. He met with both sides, but had to hurry to reach Mecca in time for the Muslim holiday Eid al-Adha. On the way back from Mecca, where he prayed for insight on the matter, he returned to Katsina and Bornu and resolved the dispute.

“Tragedy is due to divergence and because of a lack of tolerance,” Tal writes. “In the tradition of the Prophet, it is written that those who keep rancor in their hearts will not benefit from divine mercy. Tread carefully those of you who resuscitate the tradition of Kabyla. It is written by the Guide of mankind that he who associates himself with God and kills voluntarily will not be pardoned. Glory be to he who creates greatness from difference and makes peace and reconciliation.”

For more information about the Library of Congress exhibit, visit www.loc.gov/exhibits. For information about the Smithsonian Folklife Festival, visit www.folklife.si.edu.

Christopher Reardon writes for The New York Times and other major publications.

April 28, 2007 Posted by sociolingo | ACADEMIC, ARCHAEOLOGY, MALI, Mali books, Mali cultural heritage, Timbuktu | | No Comments

Mali: Dogon sacred sites

 Many people come to Mali with the intention of visiting the Dogon villages. Places of Peace and Power has a good article on the sacred sites of the Dogon with excellent photos.

The Dogon are an ethnic group located mainly in the districts of Bandiagara and Douentza in Mali, West Africa. This area is composed of three distinct topographical regions: the plain, the cliffs, and the plateau. Within these regions the Dogon population of about 300,000 is most heavily concentrated along a 200-kilometer (125 mile) stretch of escarpment called the Cliffs of Bandiagara. These sandstone cliffs run from southwest to northeast, roughly parallel to the Niger River, and attain heights up to 600 meters (2000 feet). The cliffs provide a spectacular physical setting for Dogon villages built on the sides of the escarpment. There are approximately 700 Dogon villages, most with fewer than 500 inhabitants.

The precise origins of the Dogon, like those of many other ancient cultures, are lost in the mists of time. The early histories are informed by oral traditions (that differ according to the Dogon clan being consulted) and archaeological excavation (much more of which needs to be conducted). Because of these inexact and incomplete sources, there are a number of different versions of the Dogon’s origin myths, as well as differing accounts of how they got from their ancestral homelands to the Bandiagara region. The people call themselves Dogon or Dogom, but in the older literature they are most often called Habe, a Fulbe word meaning ‘stranger’ or ‘pagan.’ Certain theories suggest the tribe to be of ancient Egyptian descent. After living in the region of Libya, they are believed to have migrated to somewhere in the region of Burkina Faso, Guinea or Mauritania (different scholarly sources give different places for this period). Around 1490 AD, fleeing invaders and/or drought, they migrated to the Bandiagara cliffs of central Mali. Carbon-14 dating techniques used on excavated remains found in the cliffs indicate that there were inhabitants in the region before the arrival of the Dogon; these were the Toloy culture of the 3rd to 2nd centuries BC, and the Tellem culture of the 11th to 15th centuries AD.

March 24, 2007 Posted by sociolingo | ANTHROPOLOGY, Dogon, MALI, Mali archaeology, Mali architecture, Mali cultural heritage, Mali culture, Mali philosophy, Mali photography, Mali symbolism, Village houses, buildings | | No Comments

Mali archaeology: Jenne-jeno, an ancient African city

Source:http://www.ruf.rice.edu/~anth/arch/niger/broch-eng.html

Susan Keech McIntosh and Roderick J. McIntosh

Roderick and Susan McIntosh excavated at Jenne-jeno and neighboring sites in 1977 and 1981 and returned in 1994 for coring and more survey, with funding from the National Science Foundation of the United States, the American Association of University Women, and the National Geographic Society (1994). This research formed the basis of their Ph.D. dissertations at Cambridge University and the University of California at Santa Barbara, respectively. The McIntoshes have published two monographs and numerous articles on their archaeological research in the Middle Niger. They are professors of anthropology at Rice University in Houston, Texas, and they continue to collaborate with Malian colleagues from the Institut des Sciences Humaines on research along the Middle Niger.


For centuries, the upper Inland Niger Delta of the Middle Niger between modern Mopti and Segou has been a vital crossroads for trade. Historical sources, such as the 1828 account of the French explorer Rene Caillié, as well as local Tarikhs (histories written in Arabic) detail for us the central role that Jenne played in the commercial activities of the Western Sudan during the last 500 years. The seventeenth century author of the Tarikh es-Sudan, al-Sadi, wrote that “it is because of this blessed town that camel caravans come to Timbuktu from all points of the horizon”. In the famous “Golden Trade of the Moors”, gold from mines far to the south was transported overland to Jenne, then trans-shipped on broad-bottom canoes (pirogues) to Timbuktu, and thence by camel to markets in North Africa and Europe. Leo Africanus reported in 1512 that the extensive boat trade on the Middle Niger involved massive amounts of cereals and dried fish shipped from Jenne to provision arid Timbuktu. Today, the stunning mud architecture of Jenne in distinctive Sudanic style is a legacy of its early trade ties with North Africa. Three kilometers to the southeast, the large mound called Jenne-jeno (ancient Jenne) or Djoboro is claimed by oral traditions as the original settlement of Jenne. Barren and carpeted by a thick layer of broken pottery, Jenne-jeno lay mute for decades, its history and significance totally unknown. Scientific excavations in the 1970’s and 1980’s revealed that the mound is composed of over five meters of debris accumulated during sixteen centuries of occupation that began c. 200 B.C.E. These excavations, in addition to more than doubling the period of known history for this region, provided some surprises regarding the local development of society. The results indicated that earlier assumptions about the emergence of complex social organization in urban settlements and the development of long-distance trade as innovations appearing only after the arrival of the Arabs in North Africa in the seventh and eighth centuries were incorrect. The archaeology of Jenne- jeno and the surrounding area clearly showed an early, indigenous growth of trade and social complexity. The importance of this discovery has resulted in the entry of Jenne- jeno, along with Jenne, on the list of UNESCO World Heritage sites.

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March 19, 2007 Posted by sociolingo | ACADEMIC, Djénné, Jenné-jeno, MALI, Mali academic papers and reports, Mali archaeology, Mali books, Mali research | | No Comments

Mali archaeology: Jenne-jeno pottery

Source: http://www.ruf.rice.edu/~anth/arch/niger/ceramics.html

Summary Description of the Pottery of the Jenne-jeno, Hambarketolo, and Kaniana Assemblages Copied and adapted from Mcintosh, Susan, ed. (1995). Excavations at Jenne-Jeno, Hambarketolo, and Kaniana (Inland Niger Delta, Mali), the 1981 Season. Berkeley: University of California Press.


Phase I/II (c. 250 B.C. - A.D. 350). The pottery assemblage in the earliest levels consists primarily of simple rims from ovoid-shaped open bowls, restricted globular jars, and domed potlids. Together, these constitute 70-100% of the rim sherds in early occupation levels. Rims from more complex forms (everted rims, carinated forms) are rare. Many of the Phase I/II vessels must have had rounded bottoms as the ratio of base to rim sherds is 12.5/100. Ring bases predominate, but flat and pedestal bases are also found. Several fragments of cylindrical potlegs were also recovered. Rim diameters are generally small, and there are remarkably few sherds with demonstrable signs of use as cooking pots.
In general, Phase I/II pottery was very well made. Paste was predominantly medium textured, with grog tempering. Occurring in variable frequencies was a distinctive category of thin-walled, finely prepared pottery that produced the high-pitched clinking of fine china when two sherds were knocked together. Its fine fabric is responsible for its high-pitched sound and refined appearance: the paste includes clay, variable amounts of quartz sand, and a small quantity of finely ground grog. Sherds with medium-texture paste have larger amounts of coarser grog. This fineware was produced only in Phase I/II. The care with which it was produced is evident not only in the fineness of the paste and thin walls but also in the exceptionally smooth and even surface finish. From the fine surface lines, it is clear that a tournette was used to turn the pot slowly during manufacture, just as it is by Jenne potters today. The careful smoothing was probably done with a piece of leather. One fineware rim and several others in the Phase I/II study collection had the characteristic dimpled surface created by the hammer-and-anvil technique which would have thinned the walls, removed irregularities, and smoothed the surface of the piece.
The dominant decorative mode in Phase I/II is twine impression. Over 75% of the body sherds are decorated with twine alone (plain sherds = <5% of the body sherds; slipped = 10-15%). Impression with a plaited strip roulette accounts for 70% of the twine-decorated body sherds. Rim sherds have smaller relative frequency of plaited strip roulette and larger frequencies of twisted twine rouletting due to the popular practice in Phase I/II of placing a zone of twisted twine roulette impression near the rim, directly above the plaited strip roulette impression covering the greater part of the pot surface. In addition to these two roulette types on the same pot, other decorative modes unique to Phase I/II include rockering, fine horizontal incision superimposed on other roulette types, cord-wrapped stick roulette, and red paint applied in cross-hatching on an unslipped zone below the lip of simple open bowls. Black and white paint and channeling (multiple grooves) are virtually non-existent in the early part of this phase. They appear at the end of the phase, foreshadowing the explosion in popularity of paint-and-channeled pottery in the succeeding phase. With the exception of single grooves and incision (on twine), other plastic motifs are largely absent throughout Phase I/II, although two examples of raised applique were recovered, both on singular objects that may not have been used in a domestic context.

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March 19, 2007 Posted by sociolingo | ACADEMIC, Djénné, Jenné-jeno, MALI, Mali academic papers and reports, Mali archaeology, Mali arts and crafts, Mali photography, Mali pottery, Mali research | | 6 Comments

Mali archaeology: Western Sudan 500-1000AD

 The Metropolitan Museum of Art


Western Sudan, 500–1000 A.D.

 Encompasses present-day Gambia, Guinea, Mali, Senegal, Burkina Faso, Mauritania, and eastern Niger

See also Guinea Coast and Eastern and Southern Africa.

The western Sudan is crisscrossed with trade routes linking this interior region of West Africa to the Atlantic coast and ultimately to cities across the Sahara. The western Sudan is the first area of sub-Saharan Africa to be reached by Muslim traders, and the influx of wealth, goods, and cultural and religious influences contributes to the dynamic artistic production. Nok, in the eastern part of the region, is one of the earliest African centers of ironworking and terracotta figure production. Jenne-jeno, populated as early as 250 B.C., is the oldest known city of sub-Saharan Africa. By 850 A.D., it has become a major urban center but is just one of at least twelve sites of comparable size in the middle Niger region. Several other significant political and commercial centers emerge during this period, including Timbuktu, an important site of Islamic religion and scholarship as well as trade.

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March 18, 2007 Posted by sociolingo | Jenné-jeno, MALI, Mali archaeology, Mali cultural heritage, Mali exhibitions, Mali museums, Timbuktu | | No Comments

Mali archaeology: Western and Central Sudan 1000-1400AD

Metropolitan Museum of Art pages


Western and Central Sudan, 1000–1400 A.D.

Encompasses present-day Gambia, Guinea, Mali, Senegal, Burkina Faso, Mauritania, Niger, and eastern Chad
Girdle [Mali; Tellem peoples] Seated Figure [Mali, Inland Niger Delta] Footed Bowl [Mali; Tellem peoples] Standing Male Figure [Western Sudan; (Dogon?)] Mother and Child [Mali, Bougouni or Dioila area; Bamana peoples]

See also Guinea Coast and Eastern and Southern Africa.

The influence of Islam and the deepening networks of trade spur the growth of several great savanna states, including the Ghana, Mali, and Songhai empires. Further development of metallurgy contributes to both material wealth and artistic production, and Arab reports depict the Ghana empire as the “Land of Gold.” As well as stimulating trade, Islam sparks great cultural and artistic innovation, producing newly syncretic mixes of distinctive regional and Islamic traditions. In 1324–25, the ruler Mansa Musa brings the wealth of the Mali empire to the attention of Europe, North Africa, and Arabia when he completes a pilgrimage to Mecca. Architectural traditions are transformed during the Mali empire. The construction of enormous adobe mosques such as those at Jenne and Timbuktu dates to the thirteenth century. The mosques standing today in West Africa are the product of long histories of construction and reconstruction. They nevertheless reflect the economic conditions, cultural histories, and architectural traditions of the medieval empires from which they originated.

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March 18, 2007 Posted by sociolingo | Jenné-jeno, MALI, Mali archaeology, Mali arts and crafts, Mali cultural heritage, Mali culture, Mali exhibitions, Mali museums, Mali photography | | 1 Comment

Mali: Djenne and Djenne jenno

Continuing my thoughts on Mali archaeology today, here is an article from a travel blog - Michael and Doria’s travel tales. The photos are about the best yet that I’ve seen of archaeology in situ in Mali, and I have taken the liberty of posting the whole article here rather than just a snippet. Please go to the blog and enjoy all the other articles too!

Djenne and Djenne jenno


The city of Djenne is known first and foremost for its magnificent mud mosque, built in 1906 on the site of several more ancient mosques dating back to the thirteen century. It’s hard to communicate the experience of standing in front of this building - its sheer size coupled with the otherworldliness of its aesthetics…

Only a few kilometers away is the Djenne Jenno - Old Djenne. It’s the original site of the city, abandoned when the town moved to its current site in the early thirteenth century. In the 1990’s there was an active dig here, but work stopped in 1999. The site is remarkable - it is absolutely covered in potshards.

Here’s a photo of Sarah taking a photo of one …

We spent a couple hours wandering around, and could have stayed longer. But we were accompanied by the director of the little archeology museum on the site, who wanted to get back. I have a hunch he was along primarily to make sure we did not remove any artifacts.

Here is a fragment of a black pot with elaborate desgins etched into the surface…

Further along we came upon the ruins of the cemetery. Burial was in large urns, in foetal position. I was startled to see the occupant of this one so plainly visible. At first I thought it rude to photograph him-or-her, but then seeing how he was tucked in so cosy and sleeping comfortably all these hundreds of years, I took a photo anyhow.


But let’s not leave Djenne on a note of death. It’s a very lively town. We spent new years eve there - Doria and I downed quite a few Grand Castels, the Malian beer in the the big, big bottle. On New Year’s day Sarah took this shot, which shows how the life of the town goes on not indoors, but on its rooftops and in its courtyards.

March 5, 2007 Posted by sociolingo | Djénné, Jenné-jeno, MALI, Mali archaeology, Mali architecture, Mali cultural heritage, Mali photography, Mali pottery, mosques | | No Comments

Mali archaeology: Cultural theft of terracotta, bronzes and pottery from the Niger valley

Source: http://icom.museum/redlist/afrique/english/page04.htm

Terracotta,
bronzes
and pottery
from the Niger Valley (Mali)
Jenne statue, terracotta
© Musée national de Bamako (Mali)
Click on the photos to see an enlarged version

Provenance I Characteristics I The urgency of the situation I Legislation I Sources
Provenance
Niger valley, Mali.
Characteristics
These objects come from mounds in the flood plains of the Niger river. They are usually known as Jenne after the name of the town close to the archaeological site of Jenne-Jeno, but are actually found throughout the Niger valley. This site is a national heritage site and is included in the UNESCO World Heritage List. These terracotta sculptures, whose height ranges generally from 20 cm to 40 cm, represent mostly human figurines, often found intact. The human form is represented either kneeling or sitting, with arms crossed over the chest, or hands on thighs, gestures often being asymmetrical. Some horsemen and footmen may have their torsos wound about by a cross belt supporting a quiver. The bodies are smooth or covered with round pastilles, made from fine-grained clay. Pottery, some of which includes anthropomorphic motifs, and metal figurines are also found in this region. Among zoomorphic representations, snakes feature prominently.

The shaven-headed human heads sometimes wear headgear and are characterised by protruding lips, triangular noses and above all by projecting eyeballs, whose brows are in the form of concentric grooves, and whose eyelashes are incisions radiating out from the eye.

One subgroup stands out. It features longer and cylindrical bodies, smaller eyes not surrounded by incisions, as well as a large number of bracelets. These artworks are often classified into styles, from Bankoni and Segou. They come from the Bamako, Segou and Bougouni regions of the South of Mali.

The urgency of the situation
The Musée national of Mali owns all statuettes found during official excavations. The majority of other statuettes known to exist from the Niger valley have been put into circulation by the looting of archaeological sites, 80% or 90% of which have been violated. Very little is therefore known about the cultures which produced these items, in spite of the very large number of objects now available on the art market. Their exact provenance will remain forever unknown, as also their date. The range of dates which the thermoluminescent examinations can provide is so wide that it leaves unresolved the problem of accurate dating. Given the urgency of the situation, programmes to raise awareness among the local population have been set up and the authorities are in a position to intervene and seize looted objects, as in Thial in 1990, and more recently in the spring of 1999, in a village close to Jenne.

National and international legislation protecting these objects:
- Law No. 85-40/AN-RM, of 26 July 1985 concerning the protection and the promotion of the national cultural heritage,
Decree No. 203/PG-RM of 13 August 1985 instituting a national commission for the safeguarding of the cultural heritage,
Decree No. 275/PG-RM of 4 November 1985 regulating archaeological excavations,
Decree No. 299/PG-RM of 19 September 1986 regulating the excavation, commercialization and export of cultural goods. (Mali)
- Law No. 86-61/AN-RM of 26 July 1986 concerning dealers in cultural goods. (Mali)
- UNESCO Convention of 1970 on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, ratified by Mali on 9 April 1987, in force on 6 July 1987.
- Agreement between the Government of the United States of America and the Government of the Republic of Mali concerning the Imposition of Import Restrictions on Archaeological Material from the Region of the Niger River Valley and the Bandiagara Escarpment (Cliff), 23 September 1993, extended by an agreement of 19 September 1997.
Sources
- M. Dembele, A. M. Schmidt, J. D. van der Waals, 1993 : « Prospection de sites archéologiques dans le delta intérieur
du Niger », Catalogue de l’exposition / Exhibition catalogue, Vallées du Niger, Paris, Réunion des Musées Nationaux.
- Samuel Sidibé, 1995 : « La lutte contre le pillage du patrimoine culturel malien et l’exportation illicite : efforts nationaux et coopération internationale » / « The Fight Against the Pillage of Mali’s Cultural Heritage and Illicit Exportation : National Efforts and International Cooperation », Le trafic illicite des biens culturels en Afrique / Illicit Traffic of Cultural Property in Africa, ICOM.
- UNESCO Ð USIA.

March 5, 2007 Posted by sociolingo | ACADEMIC, Djénné, Dogon, MALI, Mali academic papers and reports, Mali archaeology, Mali cultural heritage, Mali cultural theft, Mali culture | | No Comments

Mali archaeology: Conserving Cultural Heritage with Microcredit

Source: http://www.nsaccid.org/WARA%20Report.htm

Conserving Cultural Heritage with Microcredit: An Impact Assessment of the CultureBank in Fombori, Mali

This study presents an assessment of the social, economic and cultural impacts of the CultureBank in Fombori, Mali, based on field research in 2002. The CultureBank is a local initiative started in 1997 to conserve cultural heritage through the provision of small business loans to community members. Participants obtain credit by using cultural objects as collateral and the objects are conserved and publicly displayed in the CultureBank museum collection. This innovative approach to microcredit provides a financial incentive for cultural conservation in a rural community.

The Dogon CultureBank of Fombori

Submitted to The African Cultural Conservation Fund, Bamako, Mali

by

Tara F. Deubel

Graduate Research Assistant

Dr. Mamadou Baro

Assistant Research Professor

Department of Anthropology

Bureau of Applied Research in Anthropology

University of Arizona

December 15, 2002

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March 5, 2007 Posted by sociolingo | ACADEMIC, ARCHAEOLOGY, Dogon, MALI, Mali academic papers and reports, Mali archaeology, Mali cultural heritage, Mali cultural theft, Mali culture | | 1 Comment

The Looting of Cultural Material in Mali

Source: http://www.mcdonald.cam.ac.uk/iarc/culturewithoutcontext/issue4/sanogo.htm

The Looting of Cultural Material in Mali

Kléna Sanogo

Institut des Sciences Humaines
BP 159
Bamako
Mali

(Translated from the French by Katie Boyle)
The looting of cultural material, from Africa in general and from Mali  in particular, is causing great concern at the present time. Starting with the search for exotic and sensational artefacts by early colonial officials, it is a phenomenon that has grown progressively into a vast commercial enterprise which today has reached proportions which no-one would hesitate to call ‘cultural genocide’ (Brent 1994). This spectacular escalation in the looting of cultural material is due to several factors, but the two most important would appear to be, on one hand, the existence of the international art market and, on the other, the fact that the idea of patrimony, developed around cultural material and archaeological sites in particular, does not correspond to cultural reality as experienced by the people concerned. This last factor explains much of the destruction that might be termed unintentional, and caused by all types of work (traditional farming, animal husbandry, settlement, quarrying, mineral exploitation, etc.). Unintentional destruction extends, to some degree, right throughout national territory.
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March 5, 2007 Posted by sociolingo | ACADEMIC, MALI, Mali academic papers and reports, Mali archaeology, Mali journals | | 1 Comment